Thursday, September 23, 2010

You should take a look at this, it's funny. Also look at the next two or three in the list. A very good report on a young journalist in Africa as well as another great report on the New York reporter in South East Asia on beauty:
Video: Op-Ed at 40 | You Better Watch Out
Harvey Fierstein recounts his musings on Santa's sexual orientation.
http://video.nytimes.com/video/playlist/op-ed/1194833176718/index.html?th&emc=th

Thursday, September 16, 2010

THIS NEWS WAS PAID FOR BY...
With summer ending, local television news stations recently rolled out their back-to-school features. In 10 big cities, that meant an appearance by a young mother and "toy expert" named Elizabeth Werner.
Werner whipped through pitches for seven toys in just a few minutes. Perky and positive-plus, Werner seemed to wow morning news people in towns like Detroit, Atlanta and Phoenix. They oohed and aahed as they smelled Play-Doh, poked at mechanical bugs and strummed an electronic guitar she brought to the studio.
Though parents might have welcomed the advice, and even bought some of the toys, they probably would have liked to know that Werner serves as a spokeswoman for hire, not an independent consumer advocate. She touted only products from companies that forked over $11,000 (the initial asking price, anyway) to be part of her back-to-school television "tour."
But viewers in several of the cities would have had no way of knowing that Werner's pitches amounted to paid advertising, because their local news stations failed to meet their legal obligation to identify the segments as paid promotions.
Local television news has become a hotbed for pay-to-play promotions. I've previously chronicled how L.A. stations offered breathless stories about City of Hope Medical Center and Ford Motor Co. without telling viewers that the subjects of these "news" stories actually paid to get star treatment.
The trend promises to continue and grow. TV news producers must fill an expanding news hole, particularly in the mornings, where many news programs have been extended from three to four, five and even six hours. And advertisers, fearful of being blocked by viewers with video recorders and mute buttons, don't mind paying for promotional appearances that make them more visible and credible.
The practice goes way beyond Los Angeles and a product or two. Be warned if you are watching a self-proclaimed consumer advocate on local TV news pitching cars, electronics, travel and much more. There's a good chance that your friendly small-screen expert has taken cash to sell, sell, sell.

Saturday, September 11, 2010

Look at this:Wikipedia Entry Turned Into Actual Encyclopedia                                              |
|   from the now-how-much-would-you-pay? dept.                                                 |
|   posted by timothy on Friday September 10, @08:03 (Wikipedia)                               |
|   https://news.slashdot.org/story/10/09/10/034201/Wikipedia-Entry-Turned-Into-Actual-Encyclop|
+----------------------------------------------------------------------------------------------+

[0]Ponca City, We love you writes "If [1]journalism is the first rough
draft of history, what does that make Wikipedia? Time Magazine reports
that technology writer James Bridle has created a 12-volume compendium of
[2]every edit made to the Wikipedia entry for the Iraq War between
December 2004 and November 2009. 'It contains arguments over numbers,
differences of opinion on relevance and political standpoints, and
frequent moments when someone erases the whole thing and just writes
"Saddam Hussein was a dickhead.,"' writes Bridle. 'This is
historiography. This is what culture actually looks like: a process of
argument, of dissenting and accreting opinion, of gradual and not always
correct codification.' The books presumably only exist in one copy, so
they are not for sale."

Discuss this story at:
   http://news.slashdot.org/comments.pl?sid=10/09/10/034201

Links:
   0. http://poncacityweloveyou.com/
   1. http://www.slate.com/id/2265540/
   2. http://newsfeed.time.com/2010/09/07/wikipedia-entry-on-iraq-war-turned-into-actual-encyclopedia/

Wednesday, September 08, 2010

Journalist have to stay on their toes:Journalist Tricked Captors Into Twitter Access                                               |
|   from the 140-characters-of-freedom dept.                                                   |
|   posted by Soulskill on Tuesday September 07, @17:45 (Social Networks)                      |
|   https://news.slashdot.org/story/10/09/07/2110218/Journalist-Tricked-Captors-Into-Twitter-Ac|
+----------------------------------------------------------------------------------------------+

itwbennett writes "Kosuke Tsuneoka, a Japanese freelance journalist held
captive in Afghanistan since April 1, was released over the weekend. His
freedom came a day after he sent two Twitter messages from a captor's
phone. 'i am still allive [sic], but in jail,' read a message sent at
1:15 p.m. GMT on Friday. It was followed a few minutes later with a
second message, also in English, that read, 'here is archi in kunduz. in
the jail of commander lativ.' The message referred to the Dasht-e-Archi
district of Kunduz where he was being held. On Tuesday, speaking in
Tokyo, Tsuneoka revealed [0]how he managed to convince his captors to
give him access to the Internet. 'He asked me if I knew how to use it, so
I had a look and explained it to him,' said Tsuneoka. 'I called the
customer care number and activated the phone,' he said."

Discuss this story at:
   http://news.slashdot.org/comments.pl?sid=10/09/07/2110218

Links:
   0. http://www.itworld.com/mobile-amp-wireless/119845/freed-journalist-tricked-captors-twitter-access

Monday, September 06, 2010

The following is a SF fiction report, however, how do you feel about it?  Is this the future of news?:
I’m stood in the middle of a rubble-strewn street in Los Angeles, watching emergency service workers and distraught members of the public dragging battered bodies from the wreck of what was, less than an hour ago, a primary school. Everyone I can see is crying. Everyone but me.
My name is Sally Bowles. I am a journalist.
I know what you think. Well, I can guess. Something like you callous heartless bitch, I expect. How can you not be moved to tears by this tragedy?
I don’t know, to be honest. But there seems to be some limit to the human capacity for the physical expression of grief and sorrow. During my training, and the early years of doing this job, I cried all the time. But it’s as if my tear ducts have lost the capacity to do so – which is ironic, considering they were surgically altered so I never have to blink. Perhaps that’s the cause.
But I still feel the grief, you know. Of course you know – if I didn’t feel something about what I was seeing, the output of my sensorium wouldn’t be broadcast for all comers to plug into from any terminal on the planet or beyond. It’s my ability to feel grief and not act on it that makes me a viable on-the-spot stringer. It’s why you watch through my eyes and brain, even as you despise me for letting you do so.
I struggled with the ethics of it, at first. I still do. I can’t work out who’s being exploited. The victims of natural disasters, bungled terrorist actions and corporate-sponsored civil wars? You, the viewer, sat safe at home sucking down the sights, the stench, and the horrible emptiness in my stomach, vicariously experiencing the worst horrors the world has to offer just so you can feel more satisfied with the life you consistently fail to use to the fullest? Or me, a bleeding-heart liberal trapped in a heartless industry by her bleeding-heart liberalism, loathing what I have to do, loathing myself for loathing it but not quitting? Maybe all of us. Maybe none. I just don’t know.
Speculation isn’t in the job description. Nor is getting involved; I’m only here to allow you to be here by proxy. If you want to get involved - to feel as if you can do something, no matter how fruitless - there are other channels whose cameras are chosen for their inability to stand back and watch. And then there are those other channels – the gloater channels, the fundamentalist channels, the corporatist channels. You can feel any way you want about the news, without having to think for yourself or lift a finger.
I often wonder how well it works, how much detail you get. How accurate are the emotions you receive from me? Do you catch this, my inner dialogue? Do you hear me wrestle with my conscience, feel me searching for some sort of justification for what I do? If you do, do you care? Do you feel the same, independently of me? Do I open your eyes to questions, even as I open mine to the raw experience of disaster and pain?
I don’t know. It feels like I know less every day, and the knowledge is replaced with this void, this aching absence of anything except the gut-punch of horror at the cruelties the world acts out on us – and that we act out on each other.
My communication terminal is vibrating, and over the wailing of sirens and mothers of dead children I can hear the VTOL flying in to pick me up. There’s been a massive mudslide in rural Guatemala, and you’ll all be wanting to see it.
The following New York Times article is a good over view of some of the things that news organizations have to deal with in the present turmoil and crisis in the newsroom.  One of the problems, as always, is that we can easily find out what people want to read.  The bigger problem is what they need to know, but don't find interesting.  The challenge for writers and editors is to find ways to present 'need to know' information in a way that the consumer of news will absorb.  Another question is 'are opinions, ideas, facts, products in the consumer sense of the word?


In most businesses, not knowing how well a particular product is performing would be almost unthinkable. But newspapers have always been a peculiar business, one that has stubbornly, proudly clung to a sense that focusing too much on the bottom line can lead nowhere good.
Daniel Rosenbaum for The New York Times
The Washington Post newsroom displays traffic data. Raju Narisetti, a managing editor, said it helped to decide where to cut staff.

Now, because of technology that can pinpoint what people online are viewing and commenting on, how much time they spend with an article and even how much money an article makes in advertising revenue, newspapers can make more scientific decisions about allocating their ever scarcer resources.
Such data has never been available with such specificity and timeliness. The reader surveys that newspapers relied on for decades took months to produce, often leaving editors with stale data.
Looking to the public for insight on how to cover a topic is never comfortable for newsrooms, which have the deeply held belief that readers come to a newspaper not only for its information but also for its editorial judgment. But many newsrooms now seem to be re-examining that idea and embracing, albeit cautiously, a more democratic approach to serving up the news, particularly online.
“How can you say you don’t care what your customers think?” asked Alan Murray, who oversees online news at The Wall Street Journal. “We care a lot about what our readers think. But our readers also care a lot about our editorial judgment. So we’re always trying to balance the two.”
Editors at The Journal, like those at other large newspapers, follow the Web traffic metrics closely. The paper’s top editors begin their morning news meetings with a rundown of data points, including the most popular search terms on WSJ.com, which articles are generating the most traffic and what posts are generating buzz on Twitter.
At The Washington Post, a television screen with an array of data — the number of unique visitors to washingtonpost.com, how many articles those visitors view and where on the Web those visitors came from — is on display for the entire newsroom. A red or green marker designates each data point, indicating whether the Web site’s goal for the month on that particular metric has been met. About 120 people in The Post’s newsroom get an e-mail each day laying out how the Web site performed in the closely watched metrics — 46 in all.
Rather than corrupt news judgment by causing editors to pander to the most base reader interests, the availability of this technology so far seems to be leading to more surgical decisions about how to cover a topic so it becomes more appealing to an online audience.
The Post, which provided extensive coverage of the recent elections in Britain online and in its print editions, found that online readers were not particularly interested in the topic. One of the five most viewed items on The Post’s Web site in the last year, in fact, was not a political project at all but a piece on Crocs, the popular foam footwear. Editors attributed that to Yahoo, which linked to the article.
But that did not translate into more Croc coverage. And coverage of the British elections was not scaled back.
Raju Narisetti, The Post’s managing editor overseeing online operations, said he saw reader metrics as a tool to help him better determine how to use online resources.
“We ask, ‘What can we do online to make it more attractive?” ’ Mr. Narisetti said. “Can we do podcasts? Can we do a photo gallery? Can we do any kind of user-generated content?”
He said the data has proved highly useful in today’s world of shrinking newsroom budgets. Mr. Narisetti said that when he had to reduce his staff last year, he looked at what kind of content was not performing well with readers. He discovered that long-form video had a low audience, so he reduced that department by a couple of people.
At The Journal, editors use traffic data to inform decisions on how articles should be presented on WSJ.com. “We look at the data, and if things are getting a lot of hits, they’ll get better play and longer play on the home page,” said Mr. Murray. Conversely, articles getting low audiences will be moved down more quickly if there is no compelling news reason to keep them prominent.
But Mr. Murray explained that the data was not always used as a blunt tool. In the case of a rather dry business development last month involving the Potash Corporation, the Canadian fertilizer maker, Journal editors decided to prominently display articles on the subject despite very low traffic numbers.
“We didn’t put it there because it was going to be a big traffic getter. We put it there because it’s big important news in the business world,” Mr. Murray said.
The New York Times does not use Web metrics to determine how articles are presented, but it does use them to make strategic decisions about its online report, said Bill Keller, the executive editor. “We don’t let metrics dictate our assignments and play,” he said, “because we believe readers come to us for our judgment, not the judgment of the crowd. We’re not ‘American Idol.’ ”
Mr. Keller added that the paper would, for example, use the data to determine which blogs to expand, eliminate or tweak.
As newspaper Web sites use technology to learn more about readers’ habits, they are also developing new ways to persuade readers to tell them more about what they want. The Los Angeles Times features what it calls a “personality quiz” for readers on its Web site. The feature adds a spin to the personalization options that Web sites have offered for the last few years with a 17-question test that asks readers things like “What does success mean to you?” and has them pick from 12 photos. A few options include images of a wedding, a gleaming sports car and a man embracing a peasant child.
At the end of the quiz, readers are assigned a personality type like “dynamo,” who, as the quiz explains, is someone “always seeking new adventures that broaden your horizons and take you out of your comfort zone.” A customized news feed then appears each time a reader visits the Web site from the same computer.
“It helps me understand the readers in a way that I can’t with just the metrics,” said Sean Gallagher, managing editor for online operations at The Los Angeles Times, explaining that he now pairs sports articles with food articles because surveys have shown a correlation.
As the technology advances and allows papers to look more deeply at performance metrics, newsrooms may find that there is just some data they would rather not know.
At a recent meeting with the top online editors of The Los Angeles Times, a consulting group that helps media companies enhance profits from their Web sites pitched new software that it said could change the industry. The newsroom would be able to know how much money — down to the penny — each of its articles online was making when readers clicked on ads.
“I could see a business case for it,” said Mr. Gallagher, who hastened to add, “I don’t agree with that business case.”
Software developers acknowledge that the questions can be difficult as newspapers try to reinvent their business models. But they say the dialogue is ultimately constructive.
“By having this data and making it available, we’re spurring the conversations to take place,” said Tim Ruder, chief revenue officer for Perfect Market, the company that developed the tracking software for ad clicks. “And it’s especially healthy to have those conversations in the context of experience and not in an abstract way.”

Saturday, September 04, 2010

This is from a military report written for the British Government on what to expect in the future:
Rear Admiral Chris Parry, head of the MoD's Development, Concepts & Doctrine Centre which drew up the report, describes the assessments as "probability-based, rather than predictive".
The 90-page report comments on widely discussed issues such as the growing economic importance of India and China, the militarisation of space, and even what it calls "declining news quality" with the rise of "internet-enabled, citizen-journalists" and pressure to release stories "at the expense of facts".

Wednesday, June 23, 2010

REMEMBER THAT NEXT WED. THE 30TH WE HAVE THE ASAHI SHIMBUN TOUR AT ONE O'CLOCK AND WE MEET OUT FRONT OF THEIR MAIN OFFICE AT 12:45. HOPE TO SEE YOU ALL THERE. NO CLASS IN THE AFTERNOON. YOU SHOULD BE WORKING ON YOUR VIDEO REPORT AS THE EDITING DOES TAKE SOME TIME. CLARK

Wednesday, June 09, 2010

Take a look and think about this from the New York Times, and we will talk about it next class:
Power Grows for Striking Chinese Workers
By DAVID BARBOZA and HIROKO TABUCHI
As companies bow to pressure in China for higher wages
and better working conditions, the cost of doing business
there will probably rise.

Thursday, June 03, 2010

Well cybercats the story for this week is a future story. What will happen tomorrow or next month or year. eq. What's the weather going to be like tomorrow. Will the economy improve next year? What will be the features of fall fashion?
Also I'd like you to take a look at this web magazine which is often one of the best sources for exposed heavy spin: From: Center for Media and Democracy

Monday, May 10, 2010

Another alternative to the paper press from the New York Times:
THE MEDIA EQUATION
Imagine YouTube for Traders
By DAVID CARR
Thomson Reuters's new product, Reuters Insider, is a
service that captures myriad streams of information
produced by the company's reporters and partners.
http://www.nytimes.com/2010/05/10/business/media/10carr.html?th&emc=th

Saturday, May 08, 2010

I encourage you to look more closely at the previous post and check out the URL from the item here, which gives you pictures and more info:We Have Met the Enemy and He Is PowerPoint
By ELISABETH BUMILLER
PowerPoint has crept into the daily lives of U.S.
military commanders and reached the level of near obsession.
http://www.nytimes.com/2010/04/27/world/27powerpoint.html?th&emc=th
The dangers of Power Point:
"It's dangerous because it can create the illusion of understanding and the illusion of control. Some problems in the world are not bullet-izable."
- ARMY BRIG. GEN. H. R. McMASTER, on the growing use of PowerPoint presentations among
military commanders.

Monday, May 03, 2010

Just a little up date:
Reporters Without Borders names press 'predators'

(AP) – 6 hours ago

PARIS — Media advocacy group Reporters Without Borders on Monday put Russian Prime Minister Vladimir Putin and Chinese President Hu Jintao on its annual list of press freedom "predators."

The Paris-based group says its list is made up of "40 politicians, government officials, religious leaders, militias and criminal organizations that cannot stand the press, treat it as an enemy and directly attack journalists."

Newcomers to the annual list, released on World Press Freedom Day, include Yemeni President Ali Abdullah Saleh, Taliban overlord Mullah Omar and Chechen President Ramzan Kadyrov.

Targeting China's Hu, the group said he has enlisted China's police and propaganda departments "to prevent any free press emerging." It also says he refuses to release activists, bloggers and journalists detained during the 2008 Beijing Games.

Of Putin, Reporters Without Borders says: "Control is the key word for this former KGB officer: control of the state, control of the economic and political forces, control of geopolitical strategic interests and control of the media."

Putin's spokesman Dmitry Peskov told The Associated Press: "Their opinion is a mistake. The mistake can be put down to bias against Putin, or a lack of correct information."

Rwandan President Paul Kagame also appears: Reporters Without Borders says he "denigrates journalists" and that authorities "constantly harass" two Rwandan newspapers and prosecute their editors.

Others on the list include Iranian President Mahmoud Ahmadinejad, Syrian President Bashar al-Assad and Zimbabwean President Robert Mugabe.

Separately on Monday, three Algerian journalists were detained by police as they tried to organize a demonstration demanding the opening of the audiovisual sector to private radio and TV stations. One of them, Adlene Meddi, confirmed that they had been held and released.

Copyright © 2010 The Associated Press. All rights reserved.

Sunday, May 02, 2010

Bonus question for you for the next class. Write out on a paper with your name on it the answer to: what is the 5th estate? and for more points why is it important?

Saturday, May 01, 2010

Last weeks story was supposed to be a local one from the campus or surrounding area. The next assignment is to write an obituary. You imagine How,When,Where a famous person dies and write that up as the first paragraph. Then using factual information a few paragraphs about why the person was famous and then a last imaginary paragraph with the burial details, time and place of ceremony. Due at noon on the 11th of May.

Thursday, April 01, 2010

This is good reporting and a resource for further reporting:


April 1, 2010
CONTACT: Conor Kenny 202-277-6427 or ckenny@conorkenny.net
Mary Bottari at 608-345-6806
CMD RELEASES NEW WALL STREET BAILOUT TOTAL
$4.6 TRILLION IN FEDERAL FUNDS DISBURSED
New Tally Focuses on Expansive Role of Federal Reserve

Today, the Real Economy Project of the Center for Media and Democracy (CMD) released an assessment of the total cost to taxpayers of the Wall Street bailout. CMD concludes that multiple federal agencies have disbursed $4.6 trillion dollars in supporting the financial sector since the meltdown in 2007-2008. Of that, $2 trillion is still outstanding.

CMD's assessment demonstrates that the Federal Reserve has provided by far the bulk of the funding for the bailout in the form of loans amounting to $3.8 trillion. Little information has been disclosed about what collateral taxpayers have received in return for these loans. CMD also concludes that the bailout is far from over as the government has active programs authorized to cost up to $2.9 trillion and still has $2 trillion in outstanding investments and loans.

Learn more about the 35 programs included in our tally by visiting our Total Wall Street Bailout Cost Table, which contains links to pages on each bailout program with details including the current balance sheet for each program.

"While the Treasury Department is patting itself on the back for recouping Troubled Asset Relief Program (TARP) funds and allegedly making money off of its aid to Citigroup, our accounting shows that these programs were a relatively small portion of the federal funds that have gone out the door in support of the financial sector. Far more has been done to aid Wall Street through the back door of the Federal Reserve than through the front door of Congressional appropriations," said Mary Bottari, Director of CMD's Real Economy Project.

"The tally shows that more scrutiny needs to be given by policymakers and the media to the role of the Federal Reserve especially as the Fed has accounted for the vast majority of the bailout funds, yet provides far less disclosure and is far less directly accountable than the Treasury," said Conor Kenny, the researcher who collected the data on the bailout.

CMD has presented its work in a table that shows: funds disbursed, maximum funds that were at-risk at the height of the bailout, and actual funds still outstanding for each program. CMD is also making available a Financial Crisis Tracker, a widget for the table that can be downloaded to websites to get up-to-date numbers on the financial crisis and the bailout. The Wall Street Bailout table will be updated monthly and will be a tremendous resource for reporters and the public alike.

WALL STREET BAILOUT COST TABLE can be accessed here.

KEY FINDINGS can be accessed here.

FINANCIAL CRISIS TRACKER can be accessed here.

The Center for Media and Democracy is an independent, non-profit, non-partisan, public interest organization located in Madison, Wisconsin.


Center for Media and Democracy
520 University Avenue, Suite 227
Madison, Wisconsin 53703-4929
Phone: 608-260-9713 | Fax: 608-260-9714
E-mail: editor@prwatch.org

Wednesday, March 24, 2010

What is happening here? The Headline does not seem to jive with the story:
Google Faces Fallout as China Reacts to Site Shift
By MIGUEL HELFT and MICHAEL WINES
Google's China operations came under pressure as some
content from its uncensored Hong Kong site was blocked.
http://www.nytimes.com/2010/03/24/technology/24google.html?th&emc=th
E.U. Court Curbs Sales by Google of Brand Names as Keywords
By ERIC PFANNER
Published: March 23, 2010

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PARIS — The European Union’s highest court on Tuesday gave Google broad latitude to sell advertising linked to trademarks like Louis Vuitton on its search engine, a practice that angers companies, which fear a loss of control over their brand names.

Legal experts said, however, that the ruling stopped short of the definitive precedent that Google and brand owners alike had sought. Instead, it contained caveats that could result in a new flurry of lawsuits over the sale of “sponsored links” generated by Google searches, the main source of the company’s $23 billion in annual revenue.

In the ruling, the European Court of Justice, in Luxembourg, said Google should be allowed to auction off brand names to a variety of advertisers, not just the owners of the trademarks. Brand owners, led by LVMH Moët Hennessy Louis Vuitton, the French luxury goods company, argued that only they or authorized sites should be able to buy such trademarks.

Google already conducts such sales in the United States and some European countries, including Britain and Ireland. But elsewhere in Europe, including France, the practice has been restricted by the courts, which have favored the brand owners.

Google says that selling brand names as ad keywords to multiple bidders helps consumers because it allows them to find product reviews, sellers of second-hand goods and other information.

“Our guiding principle has always been that advertising should benefit users, and our aim is to ensure that ads are relevant and useful,” Google said.

But LVMH and two other companies whose cases were considered by the court — a matchmaking service and an online travel agency — argued that the sale of their brand names by Google misled consumers and aided operators of Web sites selling copies of well-known goods and services. So important did LVMH consider the case that it enlisted the support of the French government, which filed a brief in support of its case.

The ruling Tuesday was the highest-level decision on the issue. While Google had faced similar lawsuits in the United States, it settled some of them, and no clear precedents were established. In France, after several decisions in favor of LVMH, Google appealed to the highest French court, which in turn referred questions to the European court for clarification.

The top E.U. court said Google should not be held liable for trademark infringement if it removed ads promptly when brand owners complained about violations. But individual advertisers could be liable if ads generated by another company’s brand name were found to mislead consumers, the court said.

Advertisers “cannot, by using such keywords, arrange for Google to display ads which do not allow Internet users easily to establish from which undertaking the goods or services covered by the ad in question originate,” the court said.

Lawyers said this could strengthen brand owners’ hand in lawsuits against rivals that buy their brands as search terms.

“Advertisers using the service will now need to tread very carefully indeed,” said Mark Blair, a partner at Marks & Clerk Solicitors in London. “Today’s ruling may to an extent ring-fence Google from claims by brand owners, but it will not close the door on future litigation in this area.”

Several trademark lawsuits against users of Google’s search-ad system are already pending in Europe, including one involving the florists’ network Interflora, which sued the British retailer Marks & Spencer. That company had bought the Interflora keyword on Google as a way to promote its rival flower delivery service.

The E.U. court said Google, too, could be held liable if it were found to have encouraged trademark violations or counterfeiting.

For example, Google critics have complained about one of the company’s services, which suggests potential keywords to advertisers. LVMH said in its lawsuit that these included terms like “fake Louis Vuitton bags.”

Friday, March 12, 2010

This is what good journalism is about: Silk Parachute: Essays By John McPhee Farrar, Straus and Giroux 227 pp., $25
posted March 9, 2010 at 5:35 am EST

In dedicating his latest collection of essays, to his grandchildren, John McPhee perhaps inadvertently reminds readers of his longevity in American letters and his stature as a standard-bearer of a particular kind of literary journalism.
As a staff writer at The New Yorker since 1965, McPhee has come to define a New Yorker staple, what he calls in “Silk Parachute” the “long fact piece.” It’s typically an exhaustively researched, meticulously reported, and unapologetically lengthy article that lavishes fact upon fact, as a painter might build texture with successive layers of brush strokes, in an attempt to make an object of curiosity shimmer with fresh revelation.
McPhee’s chosen subjects often seem almost aggressively prosaic. He once wrote an entire book about oranges, and another one of his books is about shad fish. McPhee is also a longtime enthusiast of geology, a subject that doesn’t promise automatic commercial appeal.
Not everyone is a fan of McPhee’s work. Many years ago, fellow essayist Philip Lopate described it as a “scrupulously fair, sporting, impersonal fact-gathering style ... which reminds me of nothing so much as a colony of industrious termites capable of patiently reducing any subject matter to a sawdust of detail.”
What Lopate appeared to want in McPhee’s work was a more overtly personal point of view, and this is exactly what readers get in “Silk Parachute,” McPhee’s most personal book to date.
The book divides itself just about evenly between the longish reportage for which McPhee is most famous and smaller vignettes in which the first-person voice takes a starring role. The title essay is a small piece of memoir in which McPhee fondly remembers growing up with his mother. We have McPhee’s mother to thank for encouraging his love of observation, indulging his childhood wish to stand at La Guardia Field in freezing weather and watch the planes. “At LaGuardia,” McPhee recalls, “she accompanied me to the observation deck and stood there in the icy wind for at least an hour, maybe two, while I, spellbound, watched the DC-3’s coming in on final, their wings flapping in the gusts.”
During that excursion, McPhee’s mother bought him a toy parachute stuffed within a small, hinged ball. “Folded just so, the parachute never failed,” McPhee tells readers. “Always, it floated back to you – silkily, beautifully – to start over and float back again.”
The ideals evoked by that memory – beauty, balance, buoyancy – rest at the heart of McPhee’s writerly sensibility. They are well on display in “My Life List,” another deeply personal and wryly funny piece in which McPhee recounts some of the odd things he’s eaten on the road. The complete list cannot be duplicated here, but suffice it to say that bee spit, lion, porpoise, and puffin are included.
“My Life List” also offers an occasion for tongue-in-cheek portraits of McPhee’s fellow New Yorker writer Ian Frazier and the magazine’s legendary late editor William Shawn. Inspired by his long relationship with The New Yorker, “Silk Parachutes” features a good bit of shop talk, most notably in “Checkpoints,” in which McPhee chronicles the exacting and often hilarious lengths to which New Yorker fact-checkers will go to verify the accuracy of reporting. One such exercise involved phoning someone in London and dispatching him to Fitzroy Road to double-check that a blue ceramic plaque honoring William Butler Yeats was, in fact, blue and ceramic.
Another essay, “Season on the Chalk,” records a characteristic McPhee outing, using travelogue to explore the peculiar chalk geology “below the English Channel, under much of northern France, under bits of Germany and Scandinavia, under the Limburg Province of the Netherlands, and – from Erith Reach to Gravesend – under fifteen miles of the Lower Thames.”
McPhee often proves an engaging travel writer, and he works hard to distill complex science for the layman. But geology being what it is, the subject matter requires the reader to at least meet McPhee halfway. Unless one shares McPhee’s passionate interest in the topic, sentences like this will be tough sledding: “At the Paleozoic-Mesozoic stratigraphic boundary, there is no known deposit of extraterrestrial platinum-group metals, nor is there any other form of evidence of an asteroid impact.”
“Rip Van Golfer,” another essay, takes us inside a golf tournament featuring Tiger Woods, who’s become a regular in the tabloids since McPhee wrote the piece. Woods’s personal travails, copiously followed in the blogosphere and on Twitter, point to a media culture in which McPhee’s tradition of journalism, so fastidious and fair-minded, seems suddenly old-fashioned.
How long the McPhee tradition will endure is anyone’s guess. But for now we have “Silk Parachute,” a testament to a kind of literary journalism that will, with any luck, have both its standards and at its standard-bearer around for years to come.
Danny Heitman, a columnist for The Baton Rouge Advocate, is the author of “A Summer of Birds: John James Audubon at Oakley House.

Thursday, February 04, 2010

One of the assignments each year is a video news cast and I have asked you to try and be creative. Here is a comedy of what a bad news cast looks like. Good Luck.>http://www.break.com/index/how-to-report-the-news.html